{"id":31288,"date":"2019-03-23T08:57:40","date_gmt":"2019-03-23T12:57:40","guid":{"rendered":"https:\/\/kennetttimes.com\/?p=31288"},"modified":"2019-03-23T08:57:47","modified_gmt":"2019-03-23T12:57:47","slug":"on-stage-monterey-jazz-fest-on-tour-comes-to-philly","status":"publish","type":"post","link":"https:\/\/kennetttimes.com\/?p=31288","title":{"rendered":"On Stage: Monterey Jazz Fest On Tour comes to Philly"},"content":{"rendered":"

By Denny Dyroff<\/strong>, <\/span>Entertainment Editor, The Times<\/span><\/em><\/p>\n

\"\"<\/a>

Monterey Jazz Festival On Tour<\/p><\/div>\n

Some of this weekend\u2019s featured concerts in the area cover a variety of musical styles including all-star jazz, modern blues, singer-songwriter, and alt-country\/experimental.<\/span><\/p>\n

Six of the most talented new artists on the jazz scene are now on the road together as part of the Monterey Jazz Festival on Tour.<\/span><\/p>\n

The tour, which features C\u00e9cile McLorin Salvant, Bria Skonberg, Melissa Aldana,\u00a0Christian Sands, Yasushi Nakamura, and Jamison Ross, will touch down locally on March 23 at the Kimmel Center (260 South Broad Street, Philadelphia, www.kimmelcenter.org<\/a>).<\/span><\/p>\n

In addition to having three unique and talented vocalists on the tour, and an equal balance of men and women, the show will feature renditions of classic jazz standards, along with originals penned by the members. Each musician is an outstanding representative of the next generation of jazz artists and educators.<\/span><\/p>\n

And, each of the touring musicians has a close relationship with Monterey that represents both its musical excellence and jazz education activities — core components of Monterey Jazz Festival\u2019s mission statement and\u00a0expanding\u00a0on its tradition of presenting the best in jazz, and of jazz\u2019s younger, international and diverse future in 2019.<\/span><\/p>\n

To celebrate the Festival\u2019s 60th Anniversary, Artistic Director Tim Jackson put together a tour with an all-star band that represented the future of jazz in a nationwide tour. Previous incarnations include a 50th anniversary tour in 2008, with\u00a0additional national tours in 2010, 2013, and 2016, with a collective 163 performances to over 115,000 fans across the country.<\/span><\/p>\n

\u201cTim Jackson and Danny Melnick assembled this cast,\u201d said Skonberg, during a phone interview Thursday afternoon from a tour stop in Rockville, Maryland. \u201cThey\u2019ve been planning this for two years.\u201d<\/span><\/p>\n

According Jackson, \u201cThis will be the 10-year anniversary of MJF on Tour and it is also one of our most exciting. With a strong female presence on the front line with C\u00e9cile, Melissa and Bria, and the mastery of Christian Sands as our pianist and musical director, we are looking forward to <\/span><\/p>\n

spreading the joy of jazz, which is the essence of the Monterey Jazz Festival, to rest of the country.\u201d<\/span><\/p>\n

One of the most acclaimed vocalists of her generation, C\u00e9cile McLorin Salvant is the winner of the 2010 Thelonious Monk International Jazz Competition. Other honors include selection for Jazz Album of the Year by the DownBeat International Critics Poll and NPR, as well as Up-and-Coming Jazz Artist of the Year and Top Female Vocalist from the Jazz Journalists Association.<\/span><\/p>\n

Tenor saxophonist Melissa Aldana was born in Santiago, Chile, and in 2013, she became the first female instrumentalist and the first South American ever to win the Thelonious Monk Competition. Aldana attended the Berklee College of Music, studying with George Garzone, Danilo P\u00e9rez and Patricia Zarate, while hitting the clubs with Greg Osby and George Coleman, among others. She is also a recipient of the Martin E. Segal Award from Jazz at Lincoln Center and a double recipient of the Altazor Award, Chile\u2019s highly prestigious national arts prize. <\/span><\/p>\n

Pianist\u00a0and MJF on Tour Music Director\u00a0Christian Sands\u00a0is a five-time Grammy nominee. As a child in New Haven,\u00a0Connecticut, he began music classes at age four, started playing professionally at the age of 10, and\u00a0received his\u00a0Bachelor of Arts\u00a0and\u00a0master\u2019s degrees from the Manhattan School of Music.\u00a0A prot\u00e9g\u00e9 of\u00a0Dr. Billy Taylor, Christian began a six-year association with bassist Christian McBride in 2009, touring jazz festivals and clubs worldwide.\u00a0<\/span><\/p>\n

Bassist Yasushi Nakamura is one of the most commanding voices on bass today. Born in Tokyo, Nakamura moved to Seattle, Washington, eventually receiving his bachelor\u2019s in jazz performance from Berklee College of Music, and an artist diploma from the Juilliard School. He has recorded or performed around the world with Wynton Marsalis, Wycliffe Gordon, and Toshiko Akiyoshi. As an educator, Nakamura has led master classes and summer intensive courses at Juilliard, The New School, Koyo Conservatory, Osaka Geidai, and Savannah Swing Central. <\/span><\/p>\n

Grammy-nominated drummer and vocalist Jamison Ross won the Thelonious Monk International Jazz Competition in 2012. A Jacksonville, Florida native, Jamison received his B.A. in Jazz Studies from Florida State University and his master\u2019s from the University of New Orleans. He has toured internationally and recorded with a variety of esteemed jazz artists including C\u00e9cile McLorin Salvant, Jonathan Batiste, Dr. John, Jon Cleary, Christian McBride, and Carmen Lundy.<\/span><\/p>\n

Canadian singer, trumpeter and songwriter Bria Skonberg has been described as one of the \u201cmost versatile and imposing musicians of her generation\u201d by the Wall Street Journal, recognized as one of 25 for the Future by DownBeat Magazine, and cited as a millennial \u201cshaking up the jazz world\u201d by Vanity Fair.<\/span><\/p>\n

Signed to Sony Music Masterworks\u2019 OKeh Records, Skonberg released her eponymous major label debut in 2016, winning a Canadian JUNO award and making the Top 5 on Billboard jazz charts. Her many accolades include Best Vocal and Best Trumpet awards from Hot House Jazz Magazine, Outstanding Jazz Artist at the New York Bistro Awards, and DownBeat\u2019s Rising Star award.<\/span><\/p>\n

In addition to performing at jazz festivals around the world, Skonberg is an avid educator and supporter of public school opportunities, giving numerous workshops and concerts for students of all ages.<\/span><\/p>\n

\u201cI played with my own group at the Monterey Jazz Festival in 2016,\u201d said Skonberg. \u201cThis tour group met in September, had a few rehearsals and then played two shows the next day. Prior to that, we had been listening to each other\u2019s music online. I\u2019ve probably known everybody in the group for eight years. Melissa is the only one I hadn\u2019t played with recently.<\/span><\/p>\n

\u201cIn this show, we\u2019re all onstage together and perform in different configurations from full band down to as small as a trio. We are all bandleaders. There is so much talent in this group, it\u2019s ridiculous. We\u2019ve all put our egos aside for this tour. Christian Sands is the music director and he discusses everything with everybody.\u201d<\/span><\/p>\n

Skonberg grew up in Chilliwack, British Columbia \u2013 a small city two hours north of Vancouver. She began studying music when she was very young.<\/span><\/p>\n

\u201cI started on piano,\u201d said Skonberg. \u201cWhen it was time to pick a sport and an instrument, I chose soccer and piano.<\/span><\/p>\n

\u201cMy dad played trumpet when he was younger, so we had a trumpet around the house. I started playing trumpet in seventh grade. I liked it because it was a \u2018call to action\u2019 instrument. I started listening to musicians like Count Basie and Duke Ellington.<\/span><\/p>\n

\u201cMy hometown had a festival focusing on early jazz. In high school, I joined a small combo that was playing that music. I\u2019m lucky to have studied the roots of jazz. That gave me a strong foundation.\u201d<\/span><\/p>\n

Skonberg has also worked as a bandleader. She was the leader of Bria’s Hot Five and The Big Bang Jazz Band. She also has released several albums\u00a0 — the most recent of which was \u201cWith a Twist\u201d in 2017.<\/span><\/p>\n

\u201cThis tour runs through April 14 and visits 26 cities \u2013 including several places I\u2019ve never been like Mississippi and Nebraska,\u201d said Skonberg. \u201cI never played Philadelphia before, but I am coming to Longwood Gardens later this year.\u201d<\/span><\/p>\n

Skonberg will be one of the featured acts at Longwood Gardens\u2019 Wine and Jazz Festival on June 1.<\/span><\/p>\n

Video link for Monterey Jazz Festival on Tour — https:\/\/youtu.be\/3HIor7suGHU<\/a>.<\/span><\/p>\n

Video link for Bria Skonberg — https:\/\/youtu.be\/TvB8Z-sEBFA<\/a>.<\/span><\/p>\n

The show at the Kimmel Center will start at 8 p.m. Ticket prices range from $35-$65.<\/span><\/p>\n

Slim Cessna Auto Club is an alt-country\/experimental band but that label still falls short in describing the music made by Cessna and his talented group of musicians.<\/span><\/p>\n

According to punk rock legend Jello Biafra, \u201cSlim Cessna\u2019s Auto Club is the country band that plays the bar at the end of the world.\u201d<\/span><\/p>\n

\"\"<\/a>

DBUK<\/p><\/div>\n

Slim Cessna\u2019s Auto Club exists as the main band \u2013 SCAC. It also has other incarnations such as DBUK.<\/span><\/p>\n

DBUK (which stands for \u201cDenver Broncos UK\u201d) features the four core members of Slim Cessna’s Auto Club — Slim Cessna, Munly J. Munly, Lord Dwight Pentacost, and Rebecca Vera. On March 23, DBUK will headline a show at PhilaMOCA (531 North 12th Street, Philadelphia, 267-519-9651<\/a>, www.philamoca.org<\/a>).<\/span><\/p>\n

The band is touring in support of its new album \u201cSongs Nine Through Sixteen,\u201d which was released in January on Slim Cessna\u2019s label SCACUNINCORPORATED. DBUK has been celebrating the release of the new album with tours in Russia, Europe and the US.<\/span><\/p>\n

DBUK exists on its own musical plane. Haunting, warped murder ballads come with a louche, anti-spiritual cast. Limerence and longing co-exist with casual cruelty in compositions that feature a remarkable amount of detail of the natural world. They often begin sparingly and build into an ecstatic reverberation of instruments and voices. Reverb and shake rattles abound, lending a spaghetti western vibe.<\/span><\/p>\n

\u201cWith DBUK, there are four of us,\u201d said Cessna, during a phone interview Wednesday afternoon as the band was driving from Detroit to a gig in Cleveland.<\/span><\/p>\n

\u201cRebecca sings and plays cello and keyboards. Munly sings and plays guitar. Dwight plays autoharp, banjo, melodica and percussion. I play percussion and sing.<\/span><\/p>\n

\u201cDBUK has been such a sporadic iteration because it\u2019s so different than the Auto Club. Munly is the songwriter and he has specific differences in the writing for each band. For me, the biggest difference is just in the presentation. DBUK uses different instruments and is much quieter. It\u2019s the flip side of the coin.<\/span><\/p>\n

\u201cWe started DBUK years ago but haven\u2019t toured that much. We joked that we wanted to start this band to prepare for old age. Sometimes, the Auto Club can be brutal.\u201d<\/span><\/p>\n

DBUK dropped its first record a few years ago.<\/span><\/p>\n

\u201cWe released DBUK\u2019s debut album \u2018Songs One Through Eight\u2019 in 2015,\u201d said Cessna. \u201c\u2018Songs Nine Through Sixteen\u2019 came out earlier this year. We<\/span><\/p>\n

record everything ourselves in Denver. We\u2019re based in Denver. We have our own studio there \u2013 and we have our own label.<\/span><\/p>\n

\u201cWe worked on \u2018Songs Nine Through Sixteen\u2019 over the course of a few years. We continued to write songs while going with Slim Cessna\u2019s Auto Club at the same time. Lately, we\u2019ve been touring a lot with the Auto Club.\u201d<\/span><\/p>\n

SCAC fans in the area have had the opportunity to hear that band perform locally a number of times in recent years. Not so with DBUK.<\/span><\/p>\n

\u201cWe only had one tour before this,\u201d said Cessna. \u201cThat tour took place in western United States. This time, we wanted to give the whole country a shot. We just got back from a European tour. We played all over Europe. A lot of people in Europe support Slim Cessna\u2019s Auto Club. There is more interest there than in the states.<\/span><\/p>\n

\u201cOur live show on this tour will be 50\/50 songs from each album. We finish this tour in the middle of April. The next thing after that \u2013 we\u2019ll be out on the road with Slim Cessna\u2019s Auto Club in June.\u201d<\/span><\/p>\n

Video link for DBUK \u2013 https:\/\/youtu.be\/LS59Acu7z5c<\/a>.<\/span><\/p>\n

The show at PhilaMOCA, which has Norman Westberg as the opening act, will start at 8 p.m. Tickets are $15.<\/span><\/p>\n

\"\"<\/a>

Richard Shindell<\/p><\/div>\n

Another interesting show on March 23 will take place when The Locks at Sona (4417 Main Street, Manayunk, 484- 273-0481, sonapub.com<\/a>) presents Richard Shindell.<\/span><\/p>\n

Shindell is a writer whose songs paint pictures, tell stories, juxtapose ideas and images, inhabit characters, vividly evoking entire worlds along the way and expanding our sense of just what it is a song may be.<\/span><\/p>\n

Shindell continues to tour nationally in the United States, with the occasional forays into Canada, the UK, and Europe. Although known primarily as songwriter, Shindell takes a more holistic view of his career. Producer, writer, singer, guitarist, interpreter — it all adds up to a life in music.<\/span><\/p>\n

A New Jersey native who now splits his time between residing in Beacon, New York and living in Buenos Aires, Argentina, he released his debut album \u201cSparrows Point\u201d on Shanachie Records in 1992. Shindell\u2019s latest album, \u201cCareless,\u201d came out on Amalgamated Balladry in 2016. His discography also includes more than 10 albums that were made in between his first and his most recent offerings.<\/span><\/p>\n

\u201cThis tour started out with 10 dates in the South and then I was home in Beacon for a few days,\u201d said Shindell, during a phone interview Thursday from a tour stop in Columbia, Maryland.<\/span><\/p>\n

\u201cNow, I have five gigs in a row in the Mid-Atlantic. I\u2019ve been back in the states for a month now. I go back-and-forth but I\u2019m always in Argentina for the southern summer. I come up when it\u2019s summertime here, but I don\u2019t spend the whole summer.\u201d<\/span><\/p>\n

\u201cCareless\u201d represents the culmination of years of work, preparation, and growth. It was meticulously recorded over three years in upstate New York and Buenos Aires. Shindell immersed himself in the studio — allowing the time and latitude to explore, experiment and take risks.<\/span><\/p>\n

\u201cI recorded \u2018Careless\u2019 mostly in upstate New York \u2013 at a studio in the Saugerties near Woodstock,\u201d said Shindell. \u201cI also did a lot of recording in Buenos Aires. My wife is from Buenos Aires and we\u2019ve been living there for almost 20 years. I love Buenos Aires. There\u2019s a lot of culture there. Argentina and its people are really interesting.\u201d<\/span><\/p>\n

Like Skonberg, Shindell also has a strong interest in soccer\u2026especially living in a city with the two best teams in South America — River Plate and Boca Juniors.<\/span><\/p>\n

\u201cIt\u2019s a divided household,\u201d said Shindell. \u201cMy daughter is a River Plate fan and my son is a Boca Juniors fan. My wife\u2019s favorite team is Estudiantes de La Plata so I side with her.\u201d<\/span><\/p>\n

When it comes to team nicknames, the parents\u2019 choice has the best. River Plate are Los Millonarios (The Millionaires) while Boca Juniors are Xeneizes (Genoese<\/a>).Estudiantes de La Plata are known as Los Pincharratas, which means The Rat Stabbers.<\/span><\/p>\n

Back to music — on \u201cCareless,\u201d Shindell mixes in more electric guitar work than usual.<\/span><\/p>\n

According to Shindell, \u201cReturning to the electric guitar has transformed my relationship with all aspects of my career. The wider sonic and dynamic range of the electric has been a real inspiration. Rejuvenating.\u201d\u00a0<\/span><\/p>\n

\u201cIn my live shows now, \u2018Careless\u2019 has been put into the pool with the other stuff,\u201d said Shindell. \u201cI play songs from a lot of my albums, but I do still play a lot of songs from \u2018Careless.\u2019<\/span><\/p>\n

\u201cThis is a different tour from the previous one. It\u2019s completely solo. I\u2019m not bringing (guitarist) Marc Shuman with me. I\u2019m using three instruments \u2013 one electric guitar, one acoustic guitar and my mandola.<\/span><\/p>\n

\u201cI\u2019m having a really good time. I\u2019m working in new material and some older songs that haven\u2019t been played live much. And, I\u2019m doing the regular stuff.\u201d<\/span><\/p>\n

Shindell\u2019s music career has followed a far-from-traditional path.<\/span><\/p>\n

After college and a nine-month stint in a Zen Buddhist community in Upstate New York, he headed to Europe with his guitar, finding something not approaching a livelihood performing in the Paris Metro, where his repertoire consisted of Fahey-tinged fingerpicking, Blakian flatpicking and \u201cendless droning along in open tunings.\u201d Evincing an early inclination toward self-imposed commercial exile, Shindell sought out the less-travelled corners of the Metro.<\/span><\/p>\n

Upon running out of money, and despite being an atheist, he applied to and was accepted by Union Theological Seminary (NY), beginning his studies in 1986. Three years in an M.Div. program did nothing to cure him of his atheism.<\/span><\/p>\n

However, it did provide him with late-night access to the neo-gothic expanses of Union\u2019s St. James Chapel \u2013 a place with celestial acoustics that inspired his first \u201ckeeper\u201d \u2013 a song called \u201cOn a Sea of Fleur de Lis.\u201d<\/span><\/p>\n

Ostensibly a paean to the Virgin Mary, the song marked his rupture from the church and the beginning of his creative life. Its underlying themes –immanence and transcendence, human love and divine love, the particular and the general — have continued to resonate through subsequent work, right up to the present. In many ways, \u201cCareless\u201d represents a further exploration of those ideas.<\/span><\/p>\n

Shindell is more than just a song writer \u2013 he is a song crafter.<\/span><\/p>\n

\u201cIt\u2019s just a question of having a phrase in English that sounds good to me,\u201d said Shindell. \u201cThe line has to sound good and be something that can be sung. It\u2019s really helpful for these words to have a wide-open quality \u2013 to not be too specific \u2013 to not be too determined about where it is going.\u201d<\/span><\/p>\n

Like a tournament Scrabble player, Shindell is always looking for the perfect word to fit the situation.<\/span><\/p>\n

\u201cI edit fairly well,\u201d said Shindell. \u201cI like to mess around with word choices and word order \u2013 and that will go on forever. I love that process.<\/span><\/p>\n

\u201cI love polishing it. Then, after a while, it sounds fine and I can\u2019t do anything more to it. I am a perfectionist. Actually, I wish I were less of a perfectionist.\u201d<\/span><\/p>\n

Now, Shindell is looking for new avenues for creative expression.<\/span><\/p>\n

\u201cI\u2019ve written some songs recently,\u201d said Shindell. \u201cI may want to write things other than songs. I honestly don\u2019t know. There are other things I want to accomplish.<\/span><\/p>\n

\u201cThis is a strange career \u2013 not the usual way to make a living. People who live on a schedule \u2013 they want to retire when they\u2019re 65. Not me because what I do is different.<\/span><\/p>\n

\u201cPerforming live is a challenge. It\u2019s not really comfortable. I may focus my touring into a concentrated block and then spend more time in Argentina. I would love to write a book — non-fiction prose, poems or short stories.\u201d<\/span><\/p>\n

Whatever medium in which Shindell decides to write, one thing is certain \u2013 he will always be searching for the right words.<\/span><\/p>\n

Video link for Richard Shindell \u2013 https:\/\/youtu.be\/XZD36CEVHUQ<\/a>.<\/span><\/p>\n

The show at The Locks at Sona, which has Dina Hall as the opening act, will start at 8 p.m. Tickets are $30.<\/span><\/p>\n

\"\"<\/a>

Selwyn Birchwood<\/p><\/div>\n

Top shelf live music just keeps coming at The Locks at Sona.<\/span><\/p>\n

On March 24, The Locks at Sona will host one of America\u2019s brightest young blues musicians \u2013 Selwyn Birchwood.<\/span><\/p>\n

With his fiery guitar and lap steel playing, his trailblazing, instantly memorable songs and gritty, unvarnished vocals, Birchwood is among the most extraordinary young stars in the blues. His deep familiarity with blues tradition allows him to bust the genre wide open, adding new sounds, colors and textures, all delivered with a revival tent preacher’s fervor and a natural storyteller’s charisma.
\n<\/span><\/p>\n

Birchwood wrote and produced all 13 songs on his latest album \u201cPick Your Poison,\u201d which was released in 2017 on Alligator Records. The album is a testament to Birchwood\u2019s overflowing talents as a blues master \u2013 despite his young age of 34.<\/span><\/p>\n

\u201cThe \u2018Pick Your Poison\u2019 album was nominated for two Blues Music Awards and we\u2019re still touring it strong,\u201d said Birchwood, during a phone interview last week from a tour stop in St. Georges, Delaware. \u201cWe\u2019re just working hard.<\/span><\/p>\n

\u201cWe started making \u2018Pick Your Poison\u2019 in May of 2106. It was a real challenge for us to get in the studio because our tour schedule was so crazy. I had to do it two or three days at a time. I didn\u2019t finish it until December. We did it at Phat Planet Studio in Orlando. It\u2019s a great studio with a lot of great gear.<\/span><\/p>\n

\u201cWe had already been performing half the record on the road. We finished out the rest of the tracks while working on them over a nine-month period.\u201d<\/span><\/p>\n

Birchwood is one of the top acts to emerge in the world of blues music in recent years. In 2013, he won the world-renowned International Blues Challenge — beating out 125 other musicians from the U.S. and abroad.<\/span><\/p>\n

He also took home the Albert King Guitarist of the Year Award. After that, it didn\u2019t take long for Alligator Records president Bruce Iglauer to offer Birchwood a contract.<\/span><\/p>\n

\u201cBruce heard me play at IBC (International Blues Challenge) in Memphis,\u201d said Birchwood.<\/span><\/p>\n

\u201cI gave him some of my tracks to listen to. I was just hoping to get his opinion on them. Instead, he asked me to make an album for his record label.\u201d<\/span><\/p>\n

His album, \u201cDon\u2019t Call No Ambulance,\u201d which was his third overall and first for Alligator Records, received the Living Blues Critics\u2019 Award for Best Debut Album Of 2014.<\/span><\/p>\n

Birchwood was born in 1985 in Orlando, Florida. He first grabbed a guitar at age 13 and soon became proficient at mimicking what he heard on the radio. But the popular grunge rock, hip-hop and metal of the 1990s didn\u2019t move him, and he quickly grew bored.<\/span><\/p>\n

Then he heard Jimi Hendrix. By the time he was 17, Birchwood was deep into the blues — listening to Albert King, Freddie King, Albert Collins, Muddy Waters, Lightnin\u2019 Hopkins and especially Buddy Guy.<\/span><\/p>\n

\u201cWhen I was young, I decided I wanted to play an instrument and landed on guitar,\u201d said Birchwood. \u201cI was bored with just hearing the stuff on the radio in the late 90s.<\/span><\/p>\n

\u201cWhen I heard Jimi Hendrix for the first time, I was blown away. It was like a spaceship landed. Then, I started listening to Hendrix\u2019 roots — Muddy Waters, John Lee Hooker, Buddy Guy.<\/span><\/p>\n

\u201cBuddy Guy was one of my favorites. He was coming on tour to the House of Blues in Orlando when I was 17 and living there. I went to his show and was completely floored. I said — what I\u2019m feeling coming off this stage is what I want to do.\u201d<\/span><\/p>\n

Birchwood not only is a strong player, he is a very good writer.<\/span><\/p>\n

\u201cI\u2019m writing all the time,\u201d said Birchwood. \u201cI write by myself and bring it to the band. My way to write songs is always different. It\u2019s kind of sporadic.<\/span><\/p>\n

\u201cI have a lot of time on the road with these tours, so I think about songs and start working on them. I grew up listening to Muddy Waters and B.B. King. So, when I\u2019m writing, it feels like blues to me no matter what the form.<\/span><\/p>\n

\u201cWe normally like to road-test songs because they seem to develop out of improvisation. I really dig all kinds of blues \u2013 Delta, Piedmont, Chicago and Hill Country blues. Now, I\u2019m trying to make some Florida blues \u2013 original music.<\/span><\/p>\n

\u201cI just never understood playing old blues all the time. In the United States, if you played in a rock band and did covers, you got mocked. It\u2019s much better to tell your one stories \u2013 and maybe throw an occasional cover into your live show.<\/span><\/p>\n

\u201cI don\u2019t want to stand in stage and be recreating something that\u2019s been done before \u2013 telling somebody else\u2019s tale. I want to tell my own story. I\u2019ll quote a few old songs, but I\u2019ll never do a full cover.\u201d<\/span><\/p>\n

A new Selwyn Birchwood album is on the horizon.<\/span><\/p>\n

\u201cI\u2019ve got about eight songs done for the next record,\u201d said Birchwood. \u201cWe haven\u2019t started recording yet. I\u2019ve got songs done for the live show. The songs evolve and change. The longer you play them, the more you find nuances.\u201d<\/span><\/p>\n

Video link for Selwyn Birchwood \u2013 https:\/\/youtu.be\/MZjeJsN5CcU<\/a>.<\/span><\/p>\n

The show at The Locks at Sona, which has Eryn as the opening act, will start at 8 p.m. Tickets are $18.<\/span><\/p>\n

Another upcoming show at the venue in Manayunk will be Lula Wiles with special guest Nina DeVitry on March 27.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

By Denny Dyroff, Entertainment Editor, The Times Some of this weekend\u2019s featured concerts in the area cover a variety of musical styles including all-star jazz, modern blues, singer-songwriter, and alt-country\/experimental. Six of the most talented new artists on the jazz scene are now on the road together as part of the Monterey Jazz Festival on […]<\/p>\n","protected":false},"author":1,"featured_media":31290,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7529],"tags":[11066,6518,11065,8832,9002],"class_list":["post-31288","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-arts-entertainment","tag-dbuk","tag-featured","tag-monterey-jazz-festival","tag-richard-shindell","tag-selwyn-birchwood"],"_links":{"self":[{"href":"https:\/\/kennetttimes.com\/index.php?rest_route=\/wp\/v2\/posts\/31288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennetttimes.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennetttimes.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennetttimes.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennetttimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31288"}],"version-history":[{"count":1,"href":"https:\/\/kennetttimes.com\/index.php?rest_route=\/wp\/v2\/posts\/31288\/revisions"}],"predecessor-version":[{"id":31289,"href":"https:\/\/kennetttimes.com\/index.php?rest_route=\/wp\/v2\/posts\/31288\/revisions\/31289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kennetttimes.com\/index.php?rest_route=\/wp\/v2\/media\/31290"}],"wp:attachment":[{"href":"https:\/\/kennetttimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennetttimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennetttimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}